Anthem D2v With 3D
Pushing the Boundaries
The D2v 3D pushes the boundaries on what you expect from music and home theater performance. With the unparalleled flexibility you have to come to expect from Anthem processors, it provides both the versatility and adjustability you need to ale all of your digital video components work together seamlessly. The results are spectacular.
Ready for 3D
From riding the third dimension on light cycles in the movie Tron, to racing through the 3D jungles of Pandora in Avatar, the movie experience is always better in triple dimensions. 3D video has a different structure than traditional video so it must pass through the A/V processor without being affected. The new Anthem D2v circuit board automatically detects the presence of 3D video and go into passthrough mode as per a source menu option for video output configuration, passing the 3D HDMI signal from a 3D Blu-ray player to a 3D TV at resolutions up to 1080p. For additional convenience, in passthrough mode the output refresh rate is now automatically matched to the source’s frame refresh rate which is useful for sources that output a mix between 24, 50 and 60 Hz.
It’s now 3D equipped. Fully featured 7.1-channel audio and video processor, 8 HDMI Inputs and 2 Parallel HDMI outputs with the top four ports (HDMI 1 through 4) and top output (HDMI 1) supporting true bypass sensing 3D inputs automatically, Dolby TrueHD, DTS-HD Master Audio, PCM 24/192, highest quality 1080p upscaling with 1080p24 compatibility, Anthem Room Correction, premium quality A/D and D/A converters, 24-bit/192 kHz upsampling on all channels in main zone, two stereo zones.
As Good as It Gets
Sound from HDMI sources plays perfectly, at least it does if you’re using a D2v. Why? In the D2v, all eight HDMI inputs are connected through high-performance TMDS (Transition Minimized Differential Signaling) timing regenerators and multiplexers. The receiver contains a programmable equalizer and a Clock Data Recovery (CDR) function for each of the three TMDS pairs in an HDMI or DVI signal. The TMDS data outputs are regenerated and perfectly aligned to the regenerated TMDS clock signal, creating an extremely clean low-jitter DVI/HDMI signal that is easily decoded by the HDMI receiver. This is particularly useful for cleaning up a noisy/jittery source, or when a long or low-quality cable is being used.
Broadcast-Quality Digital Video Processing
Enhanced Video Performance
State-Of-The-Art Digital Audio Procesing
An impressive resumé of superior-quality component parts
Super-efficient switching power supply
Unparalleled analog-to-digital and digital-to-analog conversions
Eliminates noise in the 20 to 80-kHz frequency band thanks to the high quality of our ADC and DAC designs.
Analog-to-Digital Conversion (ADC)
Digital-to-Analog Conversion (DAC)
And For The Audio Purist
And Then There's Anthem Room Correction (ARC)
Even when the finest speakers are perfectly positioned, the room itself still has a dramatic impact on a system’s sound, an impact more profound than that of any individual component. Various solutions have fallen in and out of favor over the years, but none has solved the problem of “the room.” Until ARC. Using proprietary processes and the power of your PC the ARC system, years in development and included with your Anthem Statement D2v, analyzes each speaker’s in-room sound and then computes the required correction to yield optimal performance from every speaker. It’s a process that takes less than five minutes! Anthem’s approach is a true audiophile solution to the problems of the room. ARC is garnering rave reviews across the industry. For more information, see the ARC data sheet in the downloads & support section.
VIDEO SWITCHING | ||
Bandwidth from input to output jack (bypass mode for component video) | ||
Composite and S-Video | 70 MHz | |
Component | Y | 110 MHz |
Pr | 90 MHz | |
Pb | 80 MHz | |
All analog video inputs and outputs are 75 Ω, 1.5 Vp-p. | ||
ANALOG AUDIO | ||
Input Impedance | 20 kΩ | |
Output Impedance | Main-RCA | 300 Ω |
XLR | 600 Ω | |
Zones 2/3 and Record | 51 Ω | |
Rated Input | 2.0 Vrms | |
Maximum Input | 5.3 Vrms | |
Minimum Load | 5 kΩ | |
Rated Output (100 kΩ load) | 2.0 Vrms | |
Maximum Output | RCA | 6.3 Vrms |
XLR | 12.6 Vrms | |
Headphone Output | 100 mW into 32 Ω at 0.2% THD+N | |
Volume Control Range | Main | - 95.5 dB to +31.5 dB (in 0.5 dB increments) |
Zone 2/3 and Headphone | - 62.5 dB to +10.0 dB (in 1.25 dB increments) | |
Crosstalk (at 1 kHz) | 82 dB between channels; 86 dB between inputs | |
XLR Pin Configuration | Pin 1: Ground, Pin 2: Positive, Pin 3: Negative | |
DIGITAL AUDIO | ||
Crossover | High-Pass Slope (small speaker setting) | 12 dB/octave (2nd order) |
Low-Pass Slope (subwoofer) | 24 dB/octave (4th order) | |
Frequency (adjustable) | 25 Hz to 160 Hz (in 5 Hz increments) | |
Tone Control | Fliter Type | Shelf |
Range | +/- 12 dB | |
Bass Turnover Frequency | 200 Hz | |
Treble Turnover Frequency | 2 kHz | |
Analog-to-Digital Conversion S/N Ratio (at digital Rec output) (IEC-A Filter) | 100 dB | |
All digital audio inputs and outputs comply with HDMI, S/PDIF or AES/EBU standards. Sample rate converter output is 24 bit/192 kHz regardless of input. | ||
MAIN PATH (RCA and XLR Outputs) | ||
Frequency Response and Bandwidth | Analog Direct Inputs | 10 Hz to 20 kHz (+0 -0.2 dB), 1 Hz to 130 kHz (+0 -3 dB) |
Analog-DSP Inputs at 24/96 | 10 Hz to 20 kHz (+0 -0.3 dB), 2 Hz to 44.1 kHz (+0 -3 dB) | |
Digital Inputs at 24/96 | 10 Hz to 20 kHz (+0 -0.2 dB), 1 Hz to 45 kHz (+0 -3 dB) | |
THD+N (at Rated Input and Output) | Analog Direct Inputs | 0.006% (80 kHz BW) |
Analog-DSP Inputs at 24/48 or 24/96 | 0.004% (AES17 Filter) | |
Digital Inputs at 24/48 or 24/96 | 0.004% (AES17 Filter) | |
IMD (CCIF at 15 kHz and 16 kHz) | Analog Direct Inputs | <0.001% |
Analog-DSP Inputs at 24/48 | 0.001% | |
Digital Inputs at 24/48 or 24/96 | 0.001% | |
S/N Ratio (ref. 2.0 Vrms, IEC-A Filter) | Analog Direct Inputs | 107 dB |
Analog-DSP Inputs at 24/48 or 24/96 | 101 dB | |
Digital Inputs at 24/48 or 24/96 | 104 dB | |
ZONE 2 and ZONE 3 PATHS | ||
Frequency Response and Bandwidth | 20 Hz to 20 kHz (+0 -0.1 dB), 3 Hz to 140 kHz (+0 -3 dB) | |
THD+N (at Rated Input and Output) | 0.06% (80 kHz BW) | |
IMD (CCIF at 15 kHz and 16 kHz) | 0.06% | |
S/N Ratio (ref. 2.0 Vrms, IEC-A Filter) | 97 dB | |
FM TUNER | ||
Sensitivity | 50 dB S/N | 13 dBµ typical, 25 dBµ max. |
IHF | 10 dBµ typical, 20 dBµ max. | |
S/N Ratio | Mono | 75 dB typical, 65 dB min. |
Stereo | 69 dB typical, 60 dB min. | |
Distortion | Mono | 0.2% typical, 1.0% max. |
Stereo | 0.3% typical, 1.5% max. | |
Stereo Separation | 40 dB typical, 25 dB min. | |
Alternate Channel Selectivity (+/- 400 kHz) | 70 dB typical, 60 dB min. | |
Frequency Response | 25 Hz to 15 kHz (+0 -2 dB) | |
AM TUNER | ||
Sensitivity (20 dB S/N) | 49 dBµ typical, 56 dBµ max. | |
S/N Ratio | 50 dB typical, 43 dB min. | |
Distortion | 0.7% typical, 2.0% max. | |
One-Signal Selectivity (+/- 10 kHz) | 24 dB typical, 18 dB min. | |
CONTROL | ||
Infra Red | Carrier Frequency | 38 kHz |
Maximum 12 V Supply Current | 150 mA | |
Maximum Emitter Current | 60 mA per output | |
RS-232 Interface | Connection | DB-9F, straight-wired |
Pinout (D2v side) | Pin 2: Tx, Pin 3: Rx, Pin 5: Ground | |
Baud Rate | 1200, 2400, 4800, 9600, 19200, 38400, 57600, 115200 | |
Configuration |
8 data bits, 1 stop bit, no parity bits, flow control (RTS/CTS, none) | |
Trigger Outputs | Polarity | tip positive, sleeve ground |
Maximum Current at 12 VDC | 300 mA between all three triggers | |
Sequential Delay | 250 ms | |
POWER REQUIREMENT | ||
Consumption | Maximum 170 W | |
DIMENSIONS | ||
Height | 5-7/8 inches (14.9 cm) including feet; rack-mounting: 3 rack units without feet |
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Width | Standard version | 19-1/4 inches (49 cm) |
Rack-Mount version | 19 inches (48.3 cm) | |
No-Handle version | 17-1/4 inches (43.8 cm) | |
Depth | 15-1/4 inches (38.7 cm) | |
Weight (unpacked) | 27 lb (12.3 kg) | |
AVAILABLE FINISH | ||
Black |