in akustik Referenz NF-104 Micro Air RCA (1.0M)

• Micro AIR Technology
• AIR dielectric
• Concentric Copper wire construction
• Coaxial architecture
• Double shielding
• Direct pressure injected RCA connector (1.5 tons of pressure)

Compared to the NF-204 MICRO AIR, the NF-104 MICRO AIR has a conventional, coaxial architecture. In addition to the MICRO AIR technology, the newly developed RCA connector, which is completely solder- free, is another special feature of the NF-104. By omitting the solder, transition resistances and element formation are significantly reduced. As the name suggests, the NF-104 harmonises particularly well with the LS-104 speaker cable. The two cables are perfect entry-level models for MICRO AIR technology. 

Micro AIR Technoloy

The laws of nature cannot be switched off. They need to be used skilfully. Every cable has so-called parasitic effects due to these laws of nature. Among other things, this includes the capacitance – i.e. the fact that a cable, like a battery, stores energy temporarily and releases it again with a delay. This effect strongly influences the transmission of audio signals and is undesirable. Cable capacitance is a physical phenomenon and its size depends on various factors. One essential factor is the insulation material, the so-called dielectric, which can increase the capacity many times over. Air on the other hand does not do this and is therefore the ideal insulator. Part of the insulation of the MICRO AIR technology is its complex, diamond-shaped structure. The chambers created by this design increase the distance between the conductors and increase the air content in the insulation. In this way, irritating capacities are reduced and the transmission characteristics for the sensitive audio signals are optimised. 

Concentric Copper

By contrast to conventional conductor structures, in which the arrangement of the individual wires in a cable is chaotic, the wires in the concentric copper wires are arranged in accordance with an exactly defined scheme in which they are precisely ordered in several layers. This design reduces irregular contact points between the wires, which harmonises the signal flow and minimises transit time differences. Impulses can be played back exactly while retaining the spatial information of the music. A thin layer of polyethylene protects the highly pure copper from oxygen and therefore against oxidation.

Electrostatics and capacity

We all know what it’s like when you take off a sweater with lots of synthetic fibre and it crackles and sparks. This is because the synthetic material builds up an electric charge which is then discharged suddenly. The same happens in the dielectric, the material that insulates a cable. It absorbs electrical energy like a sponge and releases it later. However, in the case of an audio cable, these are components of the music signal. One measure of this is the cable capacitance, i.e. the unwelcome storage capacity of the cable. While capacitors are supposed to store energy and have a correspondingly high capacity, the capacitance of an audio cable should be as low as possible. This significantly affects the transmission quality and also causes interference with any electronic components connected. Air insulation – as realized with the MICRO AIR technology – is therefore ideal because it reduces the capacitance to a minimum. 

The Micro AIR philosophy

The cables in the Inakustik REFERENCE AIR series have already caused a sensation in the world of high-end connections: “It is the best cable ever placed between amp and speakers.” (AUDIO 02-2020 | LS-2404 AIR PURE SILVER). We have developed the REFERENCE MICRO AIR series based on the same approach to physics. As the name suggests, insulating air also plays a central role in the new REFERENCE MICRO AIR series due to its excellent dielectric properties. Cables in general produce no sound but have a filter effect and interact with the audio components. This can be astonishing when heard for the first time but in the end they distort the original sound and over the course of time they become highly irritating. In our opinion, audio connections should be as inconspicuous as possible and should not produce any sound coloration. The trick is therefore to adapt the unavoidable physical filter effect of the cables by means of the architecture and choice of materials in such a way that losses and interactions are reduced to a minimum. We have pursued this goal in the development of the REFERENCE MICRO AIR series and in our opinion we have achieved our goal!